Tag Archives: The Cure

The Cure-Wild Mood Swings.

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Apart from A Forest, there is one song by The Cure that means everything to me. Everything could possbily be an understatement. Treasure is found on Wild Mood Swings, an album by The Cure that is stupidly overlooked. So what if it isn’t as good as previous releases (Fuck that, it’s actually amazing.) The tracks on this album are just as heartfelt as the others before; you cannot deny that. Treasure will always mean the world to me, for so many reasons. Reasons that I cannot put into words, reasons that I don’t like; it’s just such a special song to me. I love it far too much. It is such a frail and heartbreaking song. I reckon the best ones usually are.

Sadly, the band rarely (if ever) perform tracks from this album live- along with The Top. If I ever witnessed Treasure live, I think every single part of me would just metaphorically break and I’d need a cuddle. I wouldn’t be able to cope with anything again.

Wild Mood Swings is the first record without Boris Williams and Porl Thompson, Simon Gallup was taken ill(but later joined the group for recording)- so the record was mainly Perry Bamonte and Robert Smith. It was also the first record drummer, Jason Cooper appeared on. Oh, and Roger O’Donnell came back for this record too!

Although this record wasn’t as popular as previous, Robert Smith has said it is one of his favourites by The Cure. Is he being sarky or does he mean it? Who knows. I like to think he means it. Just because I want someone other than myself to love this album.

It isn’t a dark as the other records, it does have a strange sound to it. It doesn’t really have that Goth vibe to it that we’ve come to know and love The Cure for. But so what? You cannot expect a band to make the same record over and over. It’d be boring and the band just wouldn’t evolve. If you’re a creative person, you don’t ever want to repeat yourself do you? There would honestly be no point.

The lyrics are quite woeful, and there’s one track that isn’t your typical morose track-Gone! is quite a postive track. Baically telling the listener that no good is really going to come from staying in bed and doing nothing all day. Ahh..you say this Robert, but sometimes lying in bed and listening to music is the best thing in the world! But seriously, in all honesty it’s an uplifting track that anyone who feels a bit shit should listen to. In fact, just give this record some well deserved attention and TLC. It needs it. It’s a bloody fantastic record.

 

The Cure-Wish.

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Artwork is a big deal for me. The amount of times I have held a record in hands and just gawped at it for hours is mental. I’m surprised I’ve never been thrown out of a record shop for just holding records and staring at them. You know how you get those people who read magazines in shops and don’t move for ages? I’m exactly like that with records. Do NOT ever go with me when I want to go into a record shop- I won’t leave for at least an hour and I’ll have some kind of breakdown trying to choose what I want. I battle with my wants and needs when in a record shop. This leads me onto the artwork for Wish, The Cure’s ninth album. The artwork to this album is one of my favourites of all time and EASILY my favourite of The Cure’s.

Wish was the last album to feature Porl Thompson and Boris Williams. However it isn’t all too bad; Wish was the first record by The Cure to go to number 1 in the UK! HURRAY! (And the first record Perry Balmonte featured on.) Obviously I believe all their other records should’ve gone to number 1 but that’s just my delightful biased opinion coming through again. Yes, this is the album that posses one of the most famous songs by the band, Friday I’m Love. Yes it’s a good song; but the band have so many songs- this doesn’t even touch on how amazing the band are. If you’re one of those who only know The Cure for Friday I’m In Love then please go listen to Faith, go listen to Seventeen Seconds- just go back and listen to all their records. You will find there are better songs than Friday I’m In Love.

The album starts with the amazing, Open. “I really don’t know what i’m doing here. I really think I should’ve gone to bed tonight.” This line sums up exactly how I feel when I go out at night to shitty clubs that play shitty music. Seeing the same faces trying to go home with anything that (possibly) has a pulse. It means nothing to me, I cannot relate. The music I hear, the atmosphere- it doesn’t move me. It’s such a beautiful song, if I had to have an anthem- it’d be a strong candidate I think.

To Wish Impossible Things is probably my favourite track off the album. The title alone if beautiful, the song is just heartbreaking. I love songs that just rip you apart inside. I love being able to see the beauty in painful lyrics. There’s something about it, quite hard to put it into words. Don’t get me wrong I enjoy happy songs. But you can find joy in anything. To hear swuch sadness in a song just moves me in a btter way; it’s like inspiration in a way. It’s okay to feel like cack sometimes. Don’t be afraid. That said, I don’t walk around feeling sorry for myself and whinging about life. Far from it. Just because I wear black all the time doesn’t mean I’m miserable and hate everything. Most think I do, but they’re twats who don’t know me. Not all fans of The Cure are miserable fuckers.

Like most records by The Cure, Wish has a comforting but sad feel to it. Love, longing, despair- it’s all evident on this record; and most records by The Cure. It’s just another record by Robert Smith and his lads for you to lose yourself in. That’s what The Cure does. They enable you to discover parts of yourself and just totally lose yourself in the music. You need to do that, letting go isn’t a bad thing. Ever. Don’t ever think it is.

The album closes with End. Another painfully gut-wrenching song by the group. It has such a hopeless feel to it; “I think I’ve reached that point
where giving up and going on are both the same dead end to me.” Anyone who has ever felt so fucking low will understand this statement more than they wish to. It’s a horrific feeling, but everyone experiences it at some point in their life. For some, it lasts longer than it does for others. You just have to find that wee bit of courage and strength to pull yourself through. “Please stop loving me, I am none of these things.” It’s just so upsetting, but again- we’ve all felt that way. It’s such a sad end to the album, but it’s such a fantastic song. You cannot fault it.

Wish, is one of their strongest albums, in my opinion. Everything about it is just beautiful from the artwork to Robert’s voice. They say that good things come to those who wait, I think they waited long enough for that number 1 record.

The Cure-Disintegration.

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Although he was credited on the album, Lol Tolhurst didn’t play on this record. Robert Smith returned to taking halluciongenic drugs. Could they actually make a solid record with all this going on? In short, yes. Fucking hell, yes. Disintegration saw the band return to that wonderful dark and gloomy sound that caused you to fall in love with them years before. Well, it depends on your age really; but you know what I mean.

The album opens with Plainsong and posses a beautiful line at the end of the song, it causes your heart to ache. But you resentfully smile because you can think of someone who you can easily associate it with. That’s the pain of relating to a song so much isn’t it. There’s always someone you can associate it with. Thankfully I cannot associate anyone with this song. Other songs by The Cure, I probably could. But I do my best not to, I don’t want someone to ruin what this band mean to me. So yes, the line is: “Sometimes you make me feel like i’m living at the edge of the world.”  It’s such a gorgeous line. What’s so stunning about this lyric is that you can takew what you want from it. The person can make you feel like you’re on the edge of the world because they make you feel so shite you want to just jump off a cliff OR they make you feel nerous, on edge; but in a good way. Their presence makes your stomach flip and nothing can compare to it. Personally, I take the latter meaning. There’s no better feeling. The Cure can teach y0u everything you need to learn about love.

Pictures Of You will always be one of the ultimate songs by The Cure. It is so woeful and loving at the same time. You ache with Robert as he sings this treasure of a song. Is it about death or is it about the love of your life leave you? Both are about loss, so I guess the general meaning is loss. We’ve all looked at the photos of the one we are fond of, wishing they were there; but they are gone. Long gone, and it kills. You think you cannot possibly go on; but you can. You will and you do. It’s okay.

The video to Lullaby scared me for so long, but I used to be so engrossed by it; I just had to watch. The song is creepy but that’s why you love it. You love the way Robert Smith whispers each word. It freaks you out by no part of you wants to turn it off.  The lyrics are so poetic, if you just look at the lyrics; it just reads like a Romantic piece of poetry. The imagery is so beautiful, the pictures it conjures up in your mind is just enthralling.

There’s a track on this album that just tugs at my herartstrings and takes over, just everything really. It’s seven minutes of perfection. Homesick. I hate where I grew up. Going to University was the best thing I’ve ever done (for the sake of my own mental health!) Obivously it’s proved useless in the job area as I don’t have one. Homesick just defines how I feel about where I grew up. All my family are here, and yes it’s bloody difficult living in a different country, far from them- but when I come back I feel no connection to this place. There’s a line that just sums it all up: “Cling to me so just one more just one more go. Inspire in me the desire in me to never go home.”  I don’t want to leave England to go back home, I need to be inspired to not do so. Thank you Robert Smith. You just want something or someone to mean enough to keep you away from the place you don’t want to go.

Disintegration wasn’t well recieved by critics but hey- what do they know. As a fan, I can safely say it is a bloody good record. How could you not? Maybe I’m just a biased fan, but when you truly love a band. I mean truly, truly love them; everything they do is perfect and means the world to you because it is the band that saved your soul. It is the band that wrote the songs that saved you and comforts you to this very day. No other band will ever mean as much. They could change their style and make an obscure Opera record; but you would still love and adore them with everything you have. To me, that’s what being a fan is about. Feeling every song, every lyric, every note to the very core of you.

The Cure-Kiss Me,Kiss Me, Kiss Me.

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I guess writing about every album by The Cure is getting easier. I mean, it’s not exactly a chore to listen to every album by your favourite band is it. If anything, this making me truly appreciate the band even more than I already do. Every listen just makes me realise how important this band are to me. Maybe I’ll always be some silly lost cause, but The Cure make that burden easier to carry. There is nothing better than discovering different layers to the songs you love, the meanings behind the songs you love and what a band went through with each record.

Kiss Me, Kiss Me, Kiss Me is probably the album that launched The Cure into the mainstream. Personally, it should’ve been the first album that did this. However, people are cack at times and they take a while to realise what they have don’t they. The albums opens with the euphoric and fucking gut wrenching The Kiss. If I could see The Cure perform any song live, it would be this one. Oh and of course A Forest. I love how wonderfully dramatic The Kiss is. A fantastic opener to the album. I think if this was the first record someone ever bought, it would just change their life in ways they couldn’t ever imagine. Like, nothing before is better and nothing after would have any worth. It just has that feel to it that cannot be found anywhere else.

One thing that annoyed me about this record is that Hey You was taken off the original release. It was placed on the 2006 edition, but it honestly should’ve been there the first time around. It would’ve just sounded so perfect.

I love how this album just makes you want to grab the person you are fond off and kiss them. However, if I was to do that to the person I like, I think she would probably call me a freak and tell me to fuck off! Oh well. It’s just such a bouncy, happy record. Quite like The Head On The Door, of course you have the dark moments but the music is just so wonderful and uplifting. It gives you that feeling that makes every part of you come alive. That’s what music should do.

One of the saddest things about this record is that it is pretty much the last one without the wonderful Lol Tolhurst. Is that loss evident in the releases after? Well, that’ll be something I’ll have in mind as I write about the albums after.

Everyone loves the tracks such as Catch, Just Like Heaven and Hot!Hot!Hot! but honestly, every single song is worthy of loving as much as those three. Every track is just beautifully astounding. There’s this wonderful atmosphere it posses that is found if you look beyond some of the dark lyrics, but to be honest it is possibly their most upbeat album (lyrically and musically.) When Robert sings “Hey!” Hey! Hey!” on Hot!Hot!Hot! it just fils you up with so much excitement. It’s just a stunning and exciting record from start to finish. You just have to play it over and over again; one listen isn’t enough. It stays with you forever. You build emotions and memories around it.

One song that always stands out for me has to be The Perfect Girl. I may act like a dickhead at times but I’m a stupidly romantic bugger at heart; and this song just sums it all up. I just adore the lines, “You’re such a strange girl. I want to be with you.”  It’s just a beautiful song. My favourite off the album, and one of my favourites by the band. It just makes you think of someone who amazes you, and wanting to be near them. It’s a delicate and happy song. I just love it to pieces.

Kiss Me, Kiss Me, Kiss Me is yet again, another album by The Cure that just owns your heart.

The Cure-The Head On The Door.

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This album has the very first track by The Cure I remember hearing,Close To Me. The albm was released a year before I was born but I remember the first time I saw the video to Close To Me. I was in awe, and yes I did believe for many years that The Cure would be in my wardrobe every single time I opened it. Some believe in Narnia, I chose The Cure.

The Head On The Door saw the return of Simon Gallup, and personally this is why I feel this album is bloody brilliant. I have a few t-shirts of The Cure, and one of them is the artwork of this record. It’s just awesome. I love how trippy the artwork is, much like the album.

The Head On The Door has an extremely dreamy feel to it, 6 albums in and the band are just as strong as ever on this record. With previous album the tone was dark; musically and lyrically. With this record, the lyric matter may have been dark but musically it just sent you off in a dream world. You felt spaced out and quite happy. This record is the one you can fall in love with someone to. This is the album that fulls your bones full of love and joy. There’s just something about the record that brings you so much joy. I can listen to certain songs by The Cure and just smile like a mental bugger, and they are mainly found on this record. If I was to fall in love, I’d probably associate this album with that person. However, that would only be if they were a fan of The Cure and a decent person.

Just listening to songs such as Six Different Ways, it’s hard to see why anyone couldn’t love The Cure. There’s so much going on in one song. There’s so much love and pain in the songs; but the joyful music disguises it so well. It masks the pain in sucha clever way. I could easily turn this into how people do it with their feelings, but I’d bore you even more and I’d just rant like a nutter so I shall spare you.

Push is a beauty of a song. It’s about Robert Smith wearing a dress on a train. I’d love to see Robert Smith on a train, or a bus even. There’s hints of rejection in the song, that is just so painfully yet beautifully written. “A smile to hide the fear away.” You don’t have to be  man wearing a dress on a train to fully feel that line at all. Anyone can.

You can associate any feeling possible to each album by The Cure. I associate happiness with this record, how could you not? Okay so the lyrics may be dark, they always are I suppose but the music just lifts up your spirits and makes you feel less shite about life. It’s just a brilliant record that you could easily argue as being the best album by The Cure. The Cure defined my childhood, teenage years and adulthood; and it all started with Close To Me.

 

The Cure-The Top.

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The Top is an album by The Cure that I’m not entirely fussed on. However, I don’t like being a cock about music so I’ll be a decent person and be nice. I can be nice. Nice is a terrible word, and a terrible thing to be. The word has no meaning. I’ve basically done myself no favours with this opening paragraph. Basically, I’m not a fan of their fifth album but I’ll do my best to be positive about it because I don’t like negative vibes. There. That’s better.

The Top could pretty much be seen as a Robert Smith solo album. He plays pretty much every instrument on this record aside from the drums. It is also the first album without his chum, Simon Gallup. He left the band after a wee fight. No, it wasn’t over eyeliner. Don’t be daft.

Personally, I’ve found the previous four albums easy to listen to; even if they were utterly dark. But this one, I don’t know. It doesn’t move me like the others did. Maybe it’s because for so long all my attention was aimed at Seventeen Seconds and Faith, I didn’t really allow myself to enjoy the rest of the albums properly. But, when you have such an emotional connection witha record it is hard to part yourself from it and love another just as much. I was going to make some kind of comparison to relationships, then decided not to. I think my description is easy to understand, I don’t need to expand on it I don’t think.

One of my favourite things about this record is the haunting guitar and twisted lyrics of Shake Dog Shake. “As stale and selfish as a sick dog, spurning sex like an animal of god. I’ll tear your red hair by the roots,and hold you blazing.” It is such a fucked up verse, and I love it dearly. I love the way it just warps your mind and takes over your thoughts. It’s such a bloody powerful song. So dark, so twisted.

Although this record is not my favourite, I can fully appreciate that is still is a solid record. I cannot say that it is bad, because it isn’t. I’m just not a fan of the sound on it. I prefer the drunken, dark side to The Cure that is found on the second and third record. One song that has this same feel on The Top is Wailing Wall. I love how creepy it sounds and how perverse Robert Smith’s voice is. I don’t mean it in a “come here little boy, I have some Haribo in my van” kind of way. I mean it in a deviant, creepy sense. It’s such a menacing song. Robert doesn’t sing songs, he tells stories. That is evident on this track. Probably my favourite on the album.

It is bloody hard to write ill of The Cure, and I feel bad for not loving this record as much as I love others. I can’t like everything, no one can. That’d be silly. Others may regard it as their best work, and I can honestly see the genius within it; but my heart belongs to their other records.

The Cure-Pornography.

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Album number 4 by The Cure. It opens with the amazing line, “It doesn’t matter if we all die.”  My wonderfully morbid side adores this line. It is a brilliant opening line. One Hundred Years is a fantastic opening song. It’s 6 minutes of utter brilliance. Find me a better opening line to a song, then we’ll talk. Actually, we won’t talk. Mainly because you’ll find a better opening line and I’ll be left feeling like a dickhead again. Just accept it’s a wonderful opening line, yeah? Good.

I could quite happily write thousands of words about One Hundred Years, but if you’ve heard the album you will know that no words can actually describe just how perfect this song. Robert’s voice sounds so dramatic and intense.  Honestly one of the best tracks by The Cure ever.

Pornography sparked The Cure “look.” You know; the big hair, black clothes and smeared make-up. Let’s be honest though, only Robert Smith could pull off having his lipstick like that. Anyone else just looks like they’ve had a rough night and forgot their bus pass.

I still hold Seventeen Seconds higher than all albums by The Cure, but there is something about their fourth record that is so dark; you feel so numb after hearing it. I’m in a good mood right now, but I know as soon as I finish playing the album I’ll feel like someone has killed my dog. I don’t have a dog, but you know what I mean. It has a way of just ridding you of positive feelings and causing a wave of darkenss to take over. Personally, I love it. I love that a record can make you feel like that. I love that this record can make you feel so dark and morbid. I think it’s utterly fascinating.

The Figurehead oozes desperation and despair. Two things that many do not always appreciate in music due to it sounding so fucking self-indulgent. Not with The Cure. Not at all. It’s  a painful song to listen to, espcially if you’ve ever had your heart ripped out and your self-worth  shat on. We’ve all been there, but Robert portrays it in a way that doesn’ t make you feel alone. See, when you get hurt- you become wrapped up in it. You convince yourself that you’re the only one to have ever felt like that. You’re not. You’re really not, and records like this just prove exactly that. Pain is pain. We all feel it. You cannot escape it, it will happen. Just get on with your life, and let fate drag you along for the ride. “I will never be clean again.” It’s so painful and heartbreaking to hear. The way he sings this just makes you ache everywhere; from the inside out.

Pornography was the first album by The Cure where they used a keyboard and if you look closely enough at the album front cover, it is the first album by the band to not have used their logo that was present on previous records.

This album is not for the faint hearted or for those who cannot handle feeling sad. However, it is up there with one of the best records ever created and also one of the best albums by The Cure.

The Cure-Faith.

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Third album. See, I’m doing good. I’m onto the third album and I have yet to get bored. Although, I suppose you are….whoever you are.

Dark, sombre, chilling,genius- these are just some words that one could use to describe The Cure’s third album. It is painfully dark and wonderfully haunting. They say you should never judge a book by its cover. With an album, you can probably get away with it. Especially with this record. The cover to Faith is grey, foggy and eerie. Listen to the album, and it gives off exactly the same atmosphere. The Cure are one of the few bands that always have brilliant artwork with their albums. As someone who loves buying CDs/records and going through the artwork as I listen to the album, The Cure, I find are a brilliant band to do this to. There aren’t many around, this is why I treasure (oh look, a bad pun) The Cure so much.

I adore The Drowning Man. Hands down, favourite track off the album. The title alone is morbid. “I would have left the world all bleeding, could I only help you love.”  Not only is the such a sad line, it is beautiful too. For some reason I can find beauty and the good in sadness- I have no idea why, I don’t want to know why. If I knew why, I probably wouldn’t be able to function. I like the idea of darkness and a bit of chaos; there’s something quite comforting about it. I don’t know, I’m going off topic again.

Faith is regarded as the centre point of the “Dark Trilogy”- starting with Seventeen Seconds and ending with Pornography. Well, the darker the better I say!

As someone who has a weird curiosty with the subject of death, I’m obviously going to be drawn to the track The Funeral Party. I can only imagine the hardcorefans of The Cure wanting this playing at their funeral, good on them. Bloody good song. It doesn’t sound like your stereotypical song by The Cure, it is more slowed down than most and it is possibly their saddest track. I’d honestly say it is on a par with Treasure; it is that sad. The lyrics are wonderful, even the title is genius. “Two pale figures,ache in silence.” What a gorgeous way to start a song. This is sheer poetry, fuck it; Robert Smith is a poet. Of all the albums by The Cure, Faith shows how much of a lyrical genius Robert Smith is. He’s a bloody poet. A true Romantic. Although it is a sad song, you can find strength and comfort in it. Death comes to us all; whether you’re the one dying or the one left without a person- we all experience it. This song can give you the strength to overcome the pain of dealing with the loss of someone.

One thing I always take from listening to The Cure, especially with this record is their ability to get inside your head and vocalise how you feel. The dark feelings you cannot tell your best friend are sung by Robert Smith and you do not feel so horrible about having such dark feelings. What makes us human and in touch with how we feel is not being afraid to feel. This is what I believe, and I believe it because of The Cure and Robert Smith’s words. Where would I be without them, without this record? I don’t know. I’m not willing to know.

 

The Cure-Three Imaginary Boys.

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I loved listening to Seventeen Seconds and writing about it; so I have now decided to do the same for every album by The Cure. If you’d like to place your bets on how long it takes before I change my mind, then go for it. I’m doing it for many reasons- one being I’d like to see if I can actually do it without being distracted and changing my mind. However, hardly anyone reads the nonsense I write so no one will notice if I stick at this or not. Now, with that out of the way, let’s discuss one of the most phenomenal debut albums of all time.

Three Imaginary Boys is THE essential album by The Cure isn’t it? It has to be. I know every single album is bloody amazing, but this one is stunning from start to finish. When you listen to it, you find it hard to believe that this is their first record. It picks up where Punk left off; it’s a slowed down version of Punk. A lot of Punk tracks were short, aggressive and fast. The Cure are about as aggressive as a goldfish. That’s why I love them so much, they made it okay for you to be delicate and vulnerable. I’m a stupidly shy person, and talking to people sometimes baffles me. The Cure made me (and still do) feel okay with how I am. As did/do Morrissey, which given the history between Robert Smith and Morrissey is a bit odd, but I love them both the same. The Cure’s music is a cure. It is a cure to loneliness, fragility, poor self-worth and longing. You get people who say, “Oh I know how you feel.” They don’t. Robert Smith does, and it is evident on every single bloody song.

Three Imaginary Boys is a masterpiece, deny that and you are a silly billy really. Another Day is so poetic and woeful. I love it so much. “The sun rises slowly on another day.” Robert just sounds so fed up singing this line, as someone who carries a tiny bif of frustration towards daily life; I just love this line so much. The bass in this song is so chilling, it lingers in your ears for a while after you’ve stopped listening. You can just picture a young Robert Smith looking out of the window writing this, singing this to himself. I love how the guitar throughout (especially at the end) has a drunken effect.

Object gives off a more Punk feel than any of the other tracks. By Punk, I mean it feels like a song by the Buzzcocks; so not really Punk. Post-Punk if you will. Unlike albums released after, The Cure didn’t get a say in the tracklisting of their debut album. Ever since, Robert Smith has been given creative control over what tracks goes on each album before it is released. The company also decided on the artwork too. To have your first EVER album released and you find out the songs you hated that you recorded are put on it  must be beyond frustrating. Robert has stated many times that he hates the songs Foxy Lady (Hendrix cover) and Object, and didn’t want them on the album.

Meathook has a slight reggae feel to it, the guitar is just brilliant on this one. But let’s be honest here, although the band didn’t get a say on what was put on this album; every track is wonderful making it one of the most important debut albums of all time. Not only is it such an important record, it is highly influential too. This album started a sound that many tried to copy, but only The Cure could well and truly carry. It is THEIR sound, many just tried to be like all too often. No other band has made such a wonderful debut. No other band has created a sound like this. There is no other band quite like The Cure.

The Cure-Seventeen Seconds.

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When I miss home, I just play The Cure. I’ve been playing them a lot recently; mainly Wild Mood Swings and Seventeen Seconds.

A lot of second albums are labelled as difficult to make. I listen to Seventeen Seconds and it just sounds so bloody effortlessly brilliant. I remember getting into The Cure and my stepdad telling me to start with the song A Forest. I played it, and ever since nothing has come close. The bassline, the guitar, the drums- so haunting. Robert’s voice, so perfect. It was one of the first songs I remember hearing and just connecting with. There’s something about A Forest that just screams out GENIUS. I’m not sure I could trust someone who couldn’t see how amazing this song is. It’s my favourite. Always has been, always will be. Nothing will come close to how I feel about this song.

I listen to Seventeen Seconds now, and how I felt when I first heard it is exactly the same how I feel now. I am still in awe of the production and the musicianship. It pisses me off so much when people automatically think of Boys Don’t Cry or Just Like Heaven when they think of The Cure. They need to be hit over the head with a copy of Seventeen Seconds and made to listen to it over and over again. Until they see that it is the most glorious album ever. Robert’s voice is one that will always amaze me and stir up feelings that I didn’t expect a singer to do.

Seventeen Seconds has a sound, a feel to it that has evidently influenced so many bands. That sound is still floating around today in brilliant bands such as Foals and Warpaint. The dreamy vibe that makes every single part of you sway. The picturesque lyrics that make you see the Universe and life in a totally different way. This is a record to lose yourself in. Maybe lose yourself and fall for someone. I have no idea, it depends on the kind of person you are. Or maybe it makes you wish you could fall freely for someone- without something or someone getting in the way. Let’s face it, there’s always something in the way.

At Night is one of the more harsher tracks on the album, the intro (if I could type a sound I would, but if I attempt it will look mighty strange) just reels you in. Then Robert’s voice kicks in with this fucking wonderful guitar. It’s just so bloody perfect. I know that perfection doesn’t exist, but it comes so bloody close on this record. This record was the soundtrack to so many peoples lives, it still is. It is utterly timeless.

The instrumental tracks on the album are brilliant too. See, with anyone else it’d be like an album filler. That isn’t the case with The Cure. The instrumental tracks are just as vital as the others. The album flows so beautiful. You listen to this all the way through. You explore the different layers of each track with every single listen.I listen to this album pretty much every single day, and I still notice something new with every listen. It just fascinates me in so many ways. The album starts with an instrumental (A Reflection)and it does create a somewhat sombre atmosphere, but I guess that’s why I love The Cure. They make you feel okay with feeling sad sometimes. You cannot escape sadness, sometimes you just have to allow yourself to feel it. Don’t be scared.

What I love the most about this record is how Robert’s voice always sounds like an echo. If you listen to the album through headphones, you feel it go from one ear to another in such a dramatic and haunting manner. It’s out of this world. The Cure created a sound on this album that was way ahead of its time, and in the process created one of the most influential records of all time. There is so much longing on the album (M, A Forest) and you can fully see why teenagers across the world found so much peace in this band and this record. Everyone knows that being a teenager is one of the cruelest things anyone has to go through, but with bands like The Cure; it makes it easier. I spent my teenage years listening to The Smiths and The Cure, and it gave me an insight to life that nothing else could. Their music taught me things no book could ever teach me.